Art event featuring ‘comfort women’ statue postponed due to protests


Organizers of an art exhibition in Tokyo featuring a statue symbolizing “comfort women” who suffered under Japan’s military brothel system before and during World War II decided Thursday to postpone the upcoming event due to disruptions caused by protestors in vehicles using loudspeakers.

The exhibition, which had sparked controversy two years ago in Nagoya, was set to open Friday and run through July 4 in the capital, but the venue owner backed out of an earlier agreement to host the event, saying it would “disturb the neighbors,” according to the organizers.

“This is only a postponement and we are confident that we can hold the event,” Yuka Okamoto, 58, an organizer of the “Non-Freedom of Expression Exhibition,” told a news conference.

The organizers said they will try to find a new venue with the aim of staging the exhibition after mid-July.

A lawyer for the organizers also told the news conference, “We believe that obstruction of the event constitutes a crime of intimidation and interference with business, and we are considering legal action.”

The organizers will refund about 500 tickets upon request. They will host online events about the statue and other topics, which are scheduled for Friday and Saturday.

Similar exhibitions are scheduled in Nagoya from July 6 to July 11 and in Osaka for three days from July 16.

The 2019 taxpayer-funded event in Nagoya that was part of the Aichi Triennale was forced to close three days after opening on Aug. 1 that year over security concerns amid a flood of threats and complaints.

Following its initial closure, the exhibition reopened for seven days in October 2019.

The exhibition drew public attention as it shed light on historical issues as well as the issue of freedom of expression versus censorship.

The organizers were initially set to hold the event in Tokyo’s Shinjuku Ward, but changed the site earlier this month after the protestors also gathered in vehicles near the original venue where they, with loudspeakers, denounced the exhibition as “anti-Japan.”

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